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INTERESTING BEAD FACTS & HISTORY

My current work is a culmination of several years of treasure hunting in far off places, meeting wonderful families in small shops around the world and making new friends willing to tell me a tale or two. The more remote the area, the more genuine the love that comes along with the bead. I hope you find my pieces as enjoyable to wear as I have enjoyed collecting and creating them for you. STONE STORIES is where you can read about my adventures in bead collecting and also find a few interesting tales about beads that I’ve learned along the way.

BALI SILVER

Instead of melting down coins, modern day Bali silver is bought in small pellets, melted and then mixed with copper to strengthen the alloy. The liquid mix is poured into molds and repeatedly squeezed between rollers to create thin flat sheets. These sheets are hammered to form half-cup shapes which are then soldered together before being decorated with silver wire and granulation balls. Silver wire is used to create shapes and swirls on the beads and granulation balls are used to fill in the shapes. This silver process has been used for centuries in Nepal, India, Vietnam, Morocco, Ethiopia, Mexico and South America; but it is the granulation process that makes Bali silver beads unique in the world.


THAI SILVER - MODERN

I also discovered a fine silver factory in Chiang Mai, Northern Thailand on my last visit. They created a heavier, more masculine bead, much different than the feminine Bali silver. The factory was closed for repair but I will be returning there in November to watch the creation of these exquisite hand-made beads. Look for new pieces featuring these silver beads in a future 2011 web update. Join our e-mail list and we’ll let you know when there are new items to view.



THAI SILVER - PRIMITIVE

The primitive silver beads of northern Thailand are made in a similar way as those of Bali except that old metal shell casings are used to strengthen the alloy. The pressed sheets of silver are wrapped around a bamboo cane to form a tube that is soldered at the seam. A short metal rod is then used to tap the end of each bead tube to create rims. A small wire ring is soldered onto each rim. The bead must now be made solid so that hammered patterns can be created using ordinary household items. A soft and malleable concoction of plantation rubber, soya and pig oil is used to fill the bead prior to the hammered design being created. For an antique effect, the beads are then soaked in black hair dye for 4 hours. In Chiang Mai, I was able to find primitive beads and pendants from nearby Tibet and Kashmir.

TIBETAN FOCAL BEADS

The artisans of Tibet are masters of repousse’, a highly specialized craft of stamping and carving patterns into semiprecious metals. They also create a variety of pendants and focal beads using ‘Tibet coral’, amber, turquoise and horn. The majority of my Tibetan pieces come from Chiang Mai in Northern Thailand and at the weekend market in Bangkok.






JATIM OR MAJAPAHIT FOCAL BEADS - PRIMITIVE

My real job as a landscape designer takes me to Indonesia every 18 months or so with my Landscape Architect husband, Greg Boyer. A few years ago, in addition to our usual stop in Bali, we explored Western Java to get a few containers of garden art for a special landscape project. After a few failed attempts at a suitable driver to help us conduct our business, we met a young man who soon became our dear friend. Near the end of our trip we were invited to his home for a traditional Javanese dinner. We soon learned the complexity of this young entepeneur. He and his wife own an art gallery and refinish antique furniture for export to Holland as well as antique puppets and ancient hand made kriess. While enjoying a fabulous Javanese meal we noticed a small group of men gathering in his front courtyard laughing and enjoying hot tea while telling tales to each other. They were “runners”, bringing antique items, mostly kriess, from far off families. They were patiently waiting to see if our friend would buy them for export. What a great idea! He now has his runners search for antique beads for me. The 18th century Jatim beads shown here are from his runners. They are much more fragile than the modern ones shown below.

JATIM OR MAJAPAHIT FOCAL BEADS - MODERN

Jatim is derived from the word Java and Timor, the 2 regions where the majority of these primitive glass focal beads are created. The beads pictured here are newer and more durable than those shown above. I find most of these newer beads in a little shop by a bridge in Ubud, Bali and have been told that they are from Kalimantan, Indonesia.




KALIMANTAN ENGAGEMENT BEADS - 18th-19th CENTURY

As far as the people of Central Borneo are concerned, the lukut sekala is the King of Beads. The origin is still a mystery but unsubstantiated belief is they came from Egypt. It is said that the lekut sekala is worth one life. In the old days of inter-tribal warfare, this bead was used to ransom a high-ranking captive. A long house soon to be defeated by a stronger enemy would buy off attackers with a payment of valuable beads.

The lukut sekala (rosette) bead is still used by the Orang Ulu tribe of Borneo. A mother must decide about giving her daughter her priced possession and family heirloom on the occasion of her marriage as a form of dowry. Good beads will give the bride respect in her new in-laws family. The lukut sekala bead is also presented during a child adoption ceremony.

The beads value lies in its rarity. It is believed that there are only 40 or 50 genuine beads in Borneo and a few dozen more in Kalimantan. Researchers consider the Venetian glass beads from the 18th to 19th century an imitation of the much older priceless bead. These glass beads were found in the primitive areas of Java by “runners” who bring them to my friend for export to me.

LAPIS LAZULI

The climb to the lapis mine is unique in all of world history. A route over icy rivers, snowbound passes, and minefields, all at high altitudes makes for interesting tales. In the 1980’s Russian helicopters riddled the entire area with millions of butterfly mines making the journey all the more treacherous. The final half-mile is straight up an icy mountain to the entrance. A small path leads to open chambers deep in the mountain where miners chisel and hammer away at cave walls to loosen pieces of pure blue rock. The mules are left at the base of the hill and the porters slide the bags of mined lapis down the icy slopes ahead of themselves to set off any stray mines. Every ounce of lapis throughout time has come from this one vein in Afghanistan near the border of Pakistan. This vein of lapis runs north into Russia but it is feared that, after thousands of years, there is only 30 years of lapis left to mine. Lapis is a symbol of purity and protection against evil. It was used in Egypt in 3000 B.C. and Pakistan and Central Asia from as early as 6500 B.C.

CORAL

Coral is found in the Mediterranean Sea all along the North African coast but most of today’s coral is harvested from the Pacific Ocean around Japan. This is where the largest pieces of coral can be found. The white matrix inside the stalk distinguishes it from all imitations. Once harvested the raw coral is soaked in hydrochloric acid for a few minutes to remove the calcified skin. A skilled cutter will then study the branch to decide the optimum way of achieving the most pieces. He creates blanks that are drilled, quickly shaped on a grinding wheel, then strung for inspection by another skilled craftsman who grades and sorts the pieces by size and color.

For my more expressive and masculine pieces, I prefer the primitive barrel and nugget cuts of the Giant Bamboo Coral. My larger orange coral beads were found on the remote Thai island of Koh Tao in the Gulf of Thailand. A German shopkeeper has her own runners that bring her impressive strands from secret Thai locations. All of my coral; red, peach, and orange is natural in color.

SOUTH PACIFIC SEA SHELLS - BRONZE OYSTER

With my travels taking me to French Polynesia more often these days, I have been acquiring a variety of seashells to incorporate into future pieces. Whenever possible I select pieces that have not been dyed. This year, at the Papeete market, I found natural antique Oyster seashell pendants created from the large shells used to culture the famous Tahitian Pearls.



SOUTH PACIFIC SEA SHELLS - TURQUOISE










I also found seashells with a natural turquoise shade that have been creatively cut, carved and polished for earrings and pendants. Look for new pieces on the next update to the website.

I will be travelling to Bangkok and Cambodia this November and Tahiti in the Spring of 2011. Look for new designs reflecting my travels in future 2011 web updates. Join our e-mail list so we can let you know when there are new items to view.